Prospero Lost: Prospero's Daughter, Book I Review

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Prospero Lost: Prospero's Daughter, Book I ReviewThe cover is certainly very snazzy, but it's a bit misleading: it implies a kind of evocative, lush-language'd Dunsany-esque sort of story. The which this isn't: if fantasy had space operas, that's what it'd be. Which doesn't mean there aren't moments of magical beauty--there are--but they're the leaven (and the story rises higher for them), not the meat.
Imagine that Shakespeare's play, The Tempest, was actually one of his histories--a secret history ruthlessly suppressed by the Dan-Brownian Orbis Humanis society. Imagine that Miranda's story didn't end with her marriage to Ferdinand, but began when her magician father bound her in service to the goddess Euronyme to gain immortality for himself and his family; that Prospero didn't destroy his books but transformed them into the tools of power that would grant his children dominion over the powers of the earth.
Now start the story four hundred years later, with a cool and wealthy CEO-magician finding a mysterious message written in secret phoenix-fire letters: "I have woken evil powers! Warn the family! Beware the Shadowed Ones!" This is Miranda Prospero, whose global corporation acts as intermediary between the world of myth, demons, angels, powers and principalities and an unwitting humanity which has for centuries been kept (mostly) safe from them. The corporate jet (for example) is magic-enhanced, which helps (a bit) when the dragon attacks. The adventures begin when the icily virgin Miss Prospero discovers that it's not enough to send one of her airy indentured servants (the Aerie Ones themselves would say "slaves") to investigate her father's possible disappearance--the woken power (or powers) attack her in her home, destroying part of it and stealing a potent weapon. Thus begins her world-spanning quest to find her father, and warn her estranged brothers. Monster island, gates to hell, faery revels--it's all here.
What I enjoyed most about the book was, of course, the secret world--I love how the insane Prospero family's story reveals the magical world underlying our own, and how Lamplighter interweaves both pagan and Christian mythology. In one chapter we have the teind to Hell juxtaposed with Santa Claus--and it works. I love all the supporting cast, especially Miranda's hard-boiled detective Mab, a North wind enfleshed to serve Prospero, Inc, who's lived as bond-servant in the U.S. long enough to have developed some revolutionary ideas about their master-servant relationship. Miranda I like rather less well: but as an immortal young woman, emotionally trapped as the 16-year-old bride abandoned by her fiancé at the altar, sworn to virginity as the price of her powers--and quite possibly bound as terribly as the aerie servants to serve Prospero's whims--she's clearly got a boat-load of maturing to do. Right now I don't think she deserves either of her would-be demon lovers (even if neither one is as he seems)
Fair warning: this is only the first book of a three book series. The good news? Books two and three are already written: they just need to work their way through the editing/publishing process.
Prospero Lost: Prospero's Daughter, Book I Overview

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