Showing posts with label eragon. Show all posts
Showing posts with label eragon. Show all posts

Inheritance 3-Book Hardcover Boxed Set (Eragon, Eldest, Brisingr) Review

Inheritance 3-Book Hardcover Boxed Set (Eragon, Eldest, Brisingr)
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Inheritance 3-Book Hardcover Boxed Set (Eragon, Eldest, Brisingr) ReviewI personally like the Inheritance series of books. They aren't quite as sophisticated as The Lord of the Rings, or The Wheel of Time, or Dune. They lie somewhere between the Harry Potters of the World, and The Lord of the Rings.
Are some of the names inspired by other series? Sure. The point isn't to find fault with work on the basis of what was written in other works, but to see whether it can stand by itself, and tell its own story.
I think Brisingr was a brilliant addition to the series (I would agree that Eldest was a little off); and FWIW, the last 5 chapters by themselves would make the book worth it.
Having read Inheritance, I can hardly wait for the last book in the series (Empire) but that's still a couple of years away.
With regards to this hard cover set, the only reason I can imagine you wouldn't want it, is if you're waiting for the final four-box set, which will surely be released with the last book; or already own hardcovers of Eragon and Eldest.Inheritance 3-Book Hardcover Boxed Set (Eragon, Eldest, Brisingr) OverviewWITH THE HIGHLY anticipated publication of Book Three in the Inheritance cycle, the hardcover editions of all three books will be available in a handsome boxed set!

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Inheritance Cycle Omnibus: Eragon and Eldest (The Inheritance Cycle) Review

Inheritance Cycle Omnibus: Eragon and Eldest (The Inheritance Cycle)
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Inheritance Cycle Omnibus: Eragon and Eldest (The Inheritance Cycle) ReviewThere are alot of people out there who speak disparingly of these books because the characters seem to be ripped off of other books/movies. However, if you look at those books/movies, you will realize that liek Eragon and Eldest, the characters are archetypal characters.
You have Eragon the innocent who becomes involved in something of which they understand little or nothing. Examples: (Recent) Luke Skywalker, Garion, Frodo Baggins, Samwise Gamgee, Pippin Took, Merry Brandybuck, Bilbo Baggins, (Older) Lancelot, Paris of Troy, etc.
You have Brom and Oromis the wise and strong mentor. Examples: Merlin, Obi-Wan Kenobi, Belgarath, Polgara, Gandalf, etc.
You have Durza and Galbatorix the evil wizards/masterminds. Examples: Morgana Le Fay, the Emperor, Sauron, Morgoth/Melkor, Torak, Zandramas, Saruman, etc.
You have Arya the brave princess and love interest of the innocent hero. Examples: Ce'Nedra, Guinevere, Leia, etc.
And the list goes on and on. All of fantasy relies are these archetypal characters to help the story move on. When Christopher Paolini used these characters, he was not blatantly copying off of Lucas, Tolkien, etc. Rather, he was using the long, time-honored method of fantasy writing. So, stop your complaining and enjoy the story.
If you don't believe me go read teh Rivan Codex (http://www.amazon.com/Rivan-Codex-Ancient-BELGARIAD-MALLOREON/dp/0345435869/sr=8-1/qid=1167165505/ref=pd_bbs_sr_1/105-7313686-7154035?ie=UTF8&s=books)
and see what David Eddings has to say.Inheritance Cycle Omnibus: Eragon and Eldest (The Inheritance Cycle) OverviewEnjoy every word of the first two books in the Inheritance cycle in one convenient volume. Featuring brand new cover art and never before seen original manuscript pages!

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The Inheritance Almanac Review

The Inheritance Almanac
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The Inheritance Almanac ReviewI got this right when it came out and it was awesome!
It's truely an A-to-Z guide.
If there is something you want to know about Inheritance you'll find it in here!
I've been a huge fan for a long time and if you are too, this is a must have!The Inheritance Almanac OverviewChristopher Paolini's world of Alagaësia is a magical land, full of mysterious people, objects, and places-one that has captivated millions of fans across the globe. Now, with the Inheritance Fan Book, those fans have a resource in the form of an A-to-Z almanac, where they can find everything they ever wanted to know about this fascinating world. From Arya to Zar'roc, this is an exhaustive encyclopedia about the land of the Inheritance cycle that also offers little-known facts gleaned from dozens of interviews with Christopher Paolini. Did you know . . .-that Helgrind, the den of the Raz'ac, is based on a real rock formation?-that Saphira's blue-tinted vision was inspired by Paolini's own color blindness?-that the Broddrings are the original humans who traveled to Alagaësia with King Palancar? A must-have book for every Inheritance fan!

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Brisingr (The Inheritance Cycle) Review

Brisingr (The Inheritance Cycle)
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Brisingr (The Inheritance Cycle) ReviewI'm not your typical Eragon basher. I find the professional Eragon detractors tiringly obsessive, and every time someone clogs up a message board with another hey-this-is kinda-like-Star Wars post he's SURE is pure unprecedented genius insight, I'm certain an angel loses his wings.
Unfortunately, the series is growing into the complaints. Paolini does have talent, but his sales figures and incredible life story have seemingly allowed his manuscripts to go unchecked, and his writing flaws are getting worse, not better. Three major problems with "Brisingr":
1) It's way too violent. It opens on a group of fanatics who slice off their own limbs to prove their faith, whose rituals we observe in loving detail. (The head priest has lopped himself down to just a torso.) We soon continue to a torture victim whose eyes have been pecked - eaten - out of his face. "Gore" is Paolini's favorite word, particularly when it is "smeared" on something, and we get endless graphic depictions of Roran's hammer smashing an enemy soldier's skull/throat/arm/spine, its owner rejoicing in the carnage. I don't expect war to be bowlderized, but the book revels in charnel for its own sake and is too bloody for readers under thirteen.
2) Eragon has become a bit of a sociopath. A reunion with one of his childhood bullies - who's just been through horrific torture - becomes a control-and-humiliate fantasy that's disturbing. When the typically closed Arya touchingly recounts her love's recent death and how it stole all joy from her world, Eragon's heart is unmoved; he feels only irritation and jealousy, fuming that he will "not be discouraged in his suit". (Has he been reading "The Game"?) The book's ruminations on the morality of killing reach only the uninspired conclusion that it's unavoidable in war, and we're thus meant to take a certain satisfaction when Eragon joyfully dispatches even those ordinary men forced into service by Galbatorix. I guess the debate was meant only to free us from our nagging moral reservations.
As in "Eldest", Eragon's praised to high heaven by every single soul, given credit for every achievement. At points, the book seems to have other characters only so that they can sing of their inferiority to its shining star.
3) As nearly every other commenter has noted, it's too bloated, with deadly pacing. Galbatorix's nightmarish Ra'zac servants are dealt with early, leaving Eragon to dither with rebel leader Nasuada and go off on a few preparatory errands for about 600 pages. (A 200-page detour into dwarf politics is particularly deadening.) We keep waiting for the meat to arrive, for some crisis or confrontation, and (save for a quick and inconsequential early battle with Murtagh) it never comes. There is no real climax, save for the easily-accomplished sacking of one city and a death we all long saw coming, albeit not in such meaningless circumstances.
The lack of individual voices in the story makes things drag all the more; every character has an identical manner of speaking, all bloviation and overexplanation in high-fantasy Olde Englishe. Paolini too often substitutes scads of meaningless proper names for the little moments that make bring a fantasy world to life.
A few of those moments slip through, though, like the dotty old man who roosts in the majestic ruins of a half-toppled, tree-like tower, harvesting peas. Or when Arya, on a whim, braids a miniature ship from wild grasses and breathes into it magic that will allow it fly for perpetuity; Eragon wonders what stories people will tell of it in the years to come. I laugh at the self-important magicians' society Du Vrangr Gata, whose study of the ancient language is not as complete as they think and whose name therefore translates into the Alagaesian equivalent of Engrish. I like the atypically crusty elven smith, intolerant of how "too polite, too refined, too precious" her Tolkien-influenced race has become, or the touches of culture (family totems, bedtime stories) Paolini has given his orc race. For those who like dragons, Saphira's a sparkling specimen.
And there are *dwarf ninjas*. That's gotta count for something, with someone.
My point is that the books need less Gary Stu carnage and more gems like these. Show us why this world is worth fighting (and fighting and fighting) for.
And we need some actual change to come out of all these pages. Roran's love soothes his anxiety over his battlefield casualities by opining that he'd be evil only if he actually enjoyed killing. Later - whaddaya know - Roran DOES come to love killing, quite enthusiastically, but the book forgets to look at him any differently. Eragon makes a few crucial mistakes in dwarfland due to arrogance and petulance, but he is still lavishly praised from here to Valinor. Nasuada endures a (naturally) bloody duel for leadership of the rebel faction, yet she is viewed no differently by her people afterward. Murtagh's horrific tragedy, the king who hosts the rebel Varden yet resents being pushed to the sidelines in his own country, the new hot elf guardsman who's really a lion-type furry and whose musk gets all the females...er, in heat - nothing comes of any of it. (The waste of Murtagh, who now apparently exists only to be ruthlessly dispatched, is particularly criminal.) C'mon, Rowling introduced and destroyed seven whole Horcruxes in the same space! Pick a story and develop it!
Also, are we gonna SEE Galbatorix before this series ends? There is an evil EMPEROR in this evil empire, correct?
Enough sarcasm, though. Again, it's senseless to waste your life hating these books as some do, all anti-Shur'tugal; better simply to move on to other stories. Myself, I just wish someone would guide Paolini - edit him down, focus him - so the rest of us got more out of his talent.Brisingr (The Inheritance Cycle) Overview

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Eldest (Inheritance, Book 2) Review

Eldest (Inheritance, Book 2)
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Eldest (Inheritance, Book 2) ReviewI liked Eragon well enough and I was looking forward to this book coming out. As it turns out, it's a good thing I waited for the library copy and didn't buy it, because owning it would have been pointless. The prose is really rather tedious and immature, not to mention how unnecessarily LONG it is. I won't summarize; just know that the "influence" of other writers is starkly visible. There's little originality in the writing, and the text is ridden with mistakes that a good editor should have eliminated (e.g., the incorrect and completely arbitrary substitution of words like "mine" and "thy/thine" for "my" and "yours"). Overall, the dialogue is probably the most awkard part, with the next most irksome thing being the superfluous scenes. Side note: anyone interested in joining a rescue mission to free the author's thesaurus? The preachiness really got to me, too; the author seems to dream of a society full of vegetarian atheists who practice elf yoga daily and takes "mates" whenever they want to without any commitment. And yes, "aye" is used with obscene frequency.

However -
I did read the whole book, and I wanted to find out what happened to Eragon even after the stupid training period in Ellesmera that was probably supposed to be formative (actually it just ends with us having to accept that Eragon is amazingly powerful and talented). So, I must say -- with reluctance? -- that this book wasn't a total waste of time. No, it is not good, but I wanted to know what happened.Eldest (Inheritance, Book 2) Overview

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Necromancer Review

Necromancer
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Necromancer ReviewNecromancer has a very familiar feel to it; a typical story of elves, goblins and adventure. However, Dune Elliot writes with amazing descriptive flair and has strong characters that bring a unique vibrancy to the story.
This is an epic fantasy that I got lost in and it certainly kept me wanting to turn the pages.
Not quite of the caliber of LotR (but what is these days?), Necromancer certainly holds its own with the likes of Terry Brooks and others like him. There are a few similarities to LotR (which is why I've only given four stars) but that certainly doesn't take away from it's own story.
Necromancer OverviewMorgeth's iron grip on the land of Ilyria is beginning to reach beyond its borders; his necromancy is ripping apart the very fabric that binds Alatheia together and the only thing that stands the way of total domination is an ancient elven prophecy.Inheriting his mother's sword, Eran must journey far beyond his idyllic farm life to find a ring that once belonged to his father and bring together the two heirlooms in order to destroy the evil that threatens to engulf Ilyria. He joins with others ordained by the prophecy; a legendary warrior, a shape-shifting mage, an elf haunted by his own past and two rather unlikely individuals. Together they face insurmountable obstacles and tragedy before coming face to face with evil itself.'Necromancer' is the first in the series of books called "The Dark Rising".

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The Weight of Blood Review

The Weight of Blood
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The Weight of Blood ReviewWhat would you get if you turned Fritz Leiber's Fafhrd and the Gray Mouser into a pair of half-orc brothers, gave them severe inferiority complexes, moral ambiguity, and massive tempers, and then threw in a powerful religious zealot who sways them closer to the dark side than any individual should ever be comfortable with?
Why, you'd have "The Weight of Blood" by David Dalglish.
"The Weight of Blood" is an extremely dark fairy tale that tells the story of those aforementioned half-orc brothers, Qurrah and Harruq Tun. As far as main characters go, I don't think I've ever seen their likeness. Sold separately into slavery by their orc mother early on in life, they eventually escaped and found each other again, only to grow up without guidance on the streets of a town called Veldaren, scavenging for food and learning that sometimes in life, when you come from nothing, it's better to kill than be killed. Qurrah is a spindly and coldly intelligent sort whose greatest passion is to become a powerful sorcerer. Harruq, on the other hand, is a large-bodied and (sometimes) kind-hearted oaf who exists seemingly only to protect his physically weaker brother. The dialogue between the two borders on hilarious in the early going, when they're still nothing but vagrants. But there is something darker in them, mostly in regards to Qurrah, which begging to be released. They are archetypal antiheroes, existing on the periphery of a society that wants no part of them.
The story starts off with a bang, dropping us in on the brothers as an army of orcs attempts to invade Veldaren. It is here that we first meet Velixar, a necromancer and master of the dark arts, who eventually takes the brothers under his wing. Through Velixar, we also are presented with a sizeable chunk of the world Dalglish has created, which is notable if for no other reason than it gives the reader a frame of reference to draw upon further down the road.
The novel is chock full of intense and extremely graphic battle scenes. It would be easy to get lost in the action if these scenes weren't expertly crafted, which they are. The actions the brothers take from the onset vary from miscreant to downright evil. They butcher women, children, whole families, mostly without batting an eyelash. Even when one of them seemingly finds love, through the appearance of a beautiful sorcerer elf named Aurelia, this does little to stifle the loathsome behavior. Qurrah and Harruq appear to be brutes, ostensibly without a soul, and they act as such.
That statement is not quite true, however, and herein lays the brilliance of the world author Dalglish has created. This is a story of their fall and hopefully redemption, though as a series, once we reach the end it is still in the early stages. But the hope is there that these two will find their way. We get to see inside the brothers' heads, and what we find there, though disturbing, allows us to feel a glimmer of gallantry. They are capable of love - this much is evident by the way they feel about each other - and any being who can experience that emotion in its fullest and most vulnerable can eventually learn to harness that inner goodness. All they ever needed was guidance, something that was denied them through unfortunate circumstances beyond their control.
And this is where we come to the crux of the fable that the author is telling us. In many ways, the brothers' situation mirrors events we see all the time in the "real world". They have nothing, they are starving and ostracized. Everyone looks down on them. They wander through life without a purpose save staying alive. When one looks at it like this, is it any wonder that when a stranger approaches the destitute pair and offers them a life that has meaning they leap for it? They who have nothing are promised the world. They who've been looked at as the lowest of the low are told they will be worshiped as gods. They who have had to scrape and claw are given gifts of such power that they become death incarnate. When viewed from this vantage point, can we not understand, even sympathize, with the plight Qurrah and Harruq have been forced to deal with? If we, as civilized humans, were put in the same situation, would our morality not begin to wither and die after a while? This rings true with what happens every day in certain parts of the world. It is almost the very blueprint for terrorist recruitment. And at the end of the day, that is what the brothers become. Terrorists. They target not only the enemy but the young and innocent. They strike from the shadows, seeking to assist a greater agenda that they either don't or can't understand.
This is a very dark book, so take that as a warning. If you don't like the images of flayed arms and legs, decapitation, or bodies reduced to quivering masses of blood and innards, stay far away. However, if you appreciate a well-told story that pulls you into its world and won't let you back out, this is the novel for you. It is unrelenting and fast-paced. It makes you care about the characters, no matter what bad deeds they may perform. And, best of all, it allows you to feel hope that the characters will turn it all around, and through something as simple as an act of kindness.
In short, I loved "The Weight of Blood". The title says it all. It's about the inherent price of violence, the duty of family, and the pressure to do what's right. I would definitely recommend it. As far as fantasy goes, I feel you'd be hard pressed to find one that equals its scope and passion. I, for one, can't wait to get pulled into the next volume.
The Weight of Blood OverviewFantasy author David Dalglish begins his series of the half-orc brothers, whose struggles will soon bathe the land of Dezrel in demon fire...Five hundred years ago, brother gods devastated their world with civil war. When they were imprisoned, their conflict ended without a victor. Centuries passed while their followers secretly continued the war, a war that will soon have an end.The gods have found their paragons.------Book Description:When half-bloods Harruq and Qurrah Tun pledged their lives to the death prophet Velixar, they sought only escape from their squalid beginnings. Instead, they become his greatest disciples, charged with leading his army of undead.While they prepare, Harruq trains with an elf named Aurelia, to whom he owes his life. She is a window into a better world, but as war spreads between the races, their friendship takes a dire turn.Velixar orders them to fight alongside the humans, changing Aurelia from friend to foe. To protect her, Harruq must turn against his brother and fight the killing nature of his orcish heritage.THE WEIGHT OF BLOOD by David DalglishTo side with one means to turn on another. No matter Harruq's decision, someone he loves will die.------About the Author:David Dalglish currently lives in rural Missouri with his wife Samantha, daughter Morgan, and dog Asimov. He graduated from Missouri Southern State University in 2006 and currently devotes himself to perfecting his craft. He spends his free time playing racquetball and watching PBS with his daughter.

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